{"id":28,"date":"2012-09-23T14:11:00","date_gmt":"2012-09-23T14:11:00","guid":{"rendered":"http:\/\/www.tadshull.com\/?page_id=28"},"modified":"2013-01-17T21:19:48","modified_gmt":"2013-01-17T21:19:48","slug":"buzz","status":"publish","type":"page","link":"https:\/\/tadshull.net\/?page_id=28","title":{"rendered":"Buzz"},"content":{"rendered":"<p><span style=\"color: #008080;\"><strong>On Two Tenor Ballads:<\/strong><\/span><\/p>\n<p>\u201c\u2026the voice of confidence\u2026\u201d<\/p>\n<p>John Uhl, DownBeat<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #008080;\"><strong>On Aztec Blues:<\/strong><\/span><\/p>\n<p>\u201cIf it is indeed a contest, Shull would walk away with the prize.\u201d<\/p>\n<p>Jon Morgan, Cadence<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #008080;\"><strong>On Deep Passion:<\/strong><\/span><\/p>\n<p>\u201cHis arpeggios will rough you up one moment, heal your wounds the next.\u201d<\/p>\n<p>Owen Cordle, Downbeat<\/p>\n<p>&nbsp;<\/p>\n<p>\u201c&#8230;unlike most young tenorists today, his style cannot be pigeonholed as a follower<\/p>\n<p>of a particular musician.\u201d<\/p>\n<p>Shirley Klett, Cadence<\/p>\n<p>&nbsp;<\/p>\n<p>\u201cHis chief attributes include that ability to swing at a relaxed tempo&#8230; a superbly<\/p>\n<p>resonant tone&#8230; ability to build tension&#8230; and some nice burred edges on the slow<\/p>\n<p>ones&#8230; a fine, and in some places, soul-stirring performance.&#8221;<\/p>\n<p>David Badham, Jazz Journal<\/p>\n<p>&nbsp;<\/p>\n<p>\u201c&#8230;a relentlessly swinging style&#8230;\u201d<\/p>\n<p>Neil Tesser, Chicago Reader<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #008080;\"><strong>On In the Land of the Tenor:<\/strong><\/span><\/p>\n<p>\u201cA first-rate saxophonist who distinguishes himself throughout In the Land of the<\/p>\n<p>Tenor with taste and a burly, blues-drenched tone.\u201d<\/p>\n<p>Steve Futterman, Rolling Stone<\/p>\n<p>&nbsp;<\/p>\n<p>\u201c\u2026from Sonny Rollins&#8230;add a mixture of fashionable and unfashionable influences<\/p>\n<p>like Sonny Stitt, Lucky Thompson, and Ben Webster and you get a brawny style that<\/p>\n<p>shoulders its way through an interesting programme&#8230;\u201d<\/p>\n<p>Chris Sheridan, The Manchester Guardian Jazz Magazine<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #008080;\"><strong>Live Reviews:<\/strong><\/span><\/p>\n<p>&#8221; Tad Shull, an ebullient tenor saxophonist, generates excitement whenever he comes<\/p>\n<p>billowing up from his seat to solo.&#8221;<\/p>\n<p>John S. Wilson, The New York Times<\/p>\n<p>&nbsp;<\/p>\n<p>\u201c&#8230;A fat tenor tone, an intense vibrato and an unabashedly caressing, legato approach to<\/p>\n<p>phrasing proved that he had mastered the vintage idioms he so admires \u2026 Shull&#8217;s solos<\/p>\n<p>proved unpredictable,with unexpected pauses, unusual phrase lengths, and a restless<\/p>\n<p>rhythmic vocabulary.\u201d<\/p>\n<p>Howard Reich, Chicago Tribune<\/p>\n","protected":false},"excerpt":{"rendered":"<p>On Two Tenor Ballads: \u201c\u2026the voice of confidence\u2026\u201d John Uhl, DownBeat &nbsp; On Aztec Blues: \u201cIf it is indeed a contest, Shull would walk away with the prize.\u201d Jon Morgan, Cadence &nbsp; On Deep Passion: \u201cHis arpeggios will rough you &hellip; <a href=\"https:\/\/tadshull.net\/?page_id=28\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-28","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/tadshull.net\/index.php?rest_route=\/wp\/v2\/pages\/28","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tadshull.net\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/tadshull.net\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/tadshull.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tadshull.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=28"}],"version-history":[{"count":7,"href":"https:\/\/tadshull.net\/index.php?rest_route=\/wp\/v2\/pages\/28\/revisions"}],"predecessor-version":[{"id":52,"href":"https:\/\/tadshull.net\/index.php?rest_route=\/wp\/v2\/pages\/28\/revisions\/52"}],"wp:attachment":[{"href":"https:\/\/tadshull.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=28"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}